Presepada Maiara e Maraísa, Marília Mendonça

Simplified chord chart for Presepada Maiara e Maraísa, Marília Mendonça (karaoke of Karaokê Melhor Do Brasil), in E at 112 BPM: 8 chords instead of 15, and 41 changes instead of 43. Sevenths became triads (A, Am, B, Bm, C#m, E, F#, G#m), which cuts down the shapes you have to learn. Good for playing along all the way through without stalling on a change.

KeyE

Tempo 112 BPM

Chord changes41

ChannelKaraokê Melhor Do Brasil

In this version the sevenths were reduced to triads, and 2 changes too short for the hand to follow were merged. A diminished chord appears as minor — that is a substitution, not an equivalence: it sounds close when you are playing along, but it is not the same chord. For the harmony as it is, use the full version.

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Diatonic chords of E

Degrees of the key
I	ii	iii	IV	V	vi	vii°
E	F#m	G#m	A	B	C#m	D#°

Chord track

Click any chord to jump the video to that point.

Notes that make up each chord

Useful for one-note-at-a-time instruments — sax, trumpet, flute, violin: they do not play the chord, they play its notes.

Chord	Notes	Functions
A	A C# E	root, major third, fifth
Am	A C E	root, minor third, fifth
B	B D# F#	root, major third, fifth
Bm	B D F#	root, minor third, fifth
C#m	C# E G#	root, minor third, fifth
E	E G# B	root, major third, fifth
F#	F# A# C#	root, major third, fifth
G#m	G# B D#	root, minor third, fifth

Full chord chart with timings

The same sequence as a table, for reference or printing.

#	Time	Chord	Length
1	0:00	E	4.8s
2	0:05	F#	2.1s
3	0:07	A	6.9s
4	0:13	E	2.9s
5	0:16	F#	2.6s
6	0:19	A	6.1s
7	0:25	E	2.9s
8	0:28	F#	2.6s
9	0:31	A	5.8s
10	0:36	C#m	3.1s
11	0:40	B	2.8s
12	0:42	A	2.8s
13	0:45	E	3.1s
14	0:48	C#m	2.9s
15	0:51	B	2.7s
16	0:54	Am	5.4s
17	0:59	E	6.1s
18	1:05	Am	5.9s
19	1:11	E	5.8s
20	1:17	Am	5.8s
21	1:23	E	5.6s
22	1:29	A	5.4s
23	1:34	E	5.8s
24	1:40	A	4.3s
25	1:44	E	4.3s
26	1:48	F#	3.3s
27	1:52	A	7.8s
28	1:59	G#m	3.7s
29	2:03	Am	5.9s
30	2:09	Bm	5.8s
31	2:15	A	5.7s
32	2:21	E	5.8s
33	2:26	Am	5.2s
34	2:32	E	6.2s
35	2:38	A	5.8s
36	2:44	E	5.9s
37	2:50	A	4.9s
38	2:54	E	3.6s
39	2:58	F#	2.7s
40	3:01	A	5.9s
41	3:07	E	—