Presepada Maiara e Maraísa, Marília Mendonça

The chord chart for Presepada Maiara e Maraísa, Marília Mendonça (karaoke of Karaokê Melhor Do Brasil) is in E, at 112 BPM, with 15 distinct chords over 3:07: A, A7, Am, Amaj7, B, Bm7, C#m, Cmaj7 and others. The track below follows the video — the highlighted chord is the one sounding now, and the next one appears before the change so you can get your hand ready.

KeyE

Tempo 112 BPM

Chord changes43

ChannelKaraokê Melhor Do Brasil

This is the harmony as the analysis found it, sevenths and all. If you are just starting to play along, the simplified version uses triads only: 8 chords instead of 15.

Now playing 0:00

Emaj7

Next F#7

Diatonic chords of E

Degrees of the key
I	ii	iii	IV	V	vi	vii°
E	F#m	G#m	A	B	C#m	D#°

Chord track

Click any chord to jump the video to that point.

Notes that make up each chord

Useful for one-note-at-a-time instruments — sax, trumpet, flute, violin: they do not play the chord, they play its notes.

Chord	Notes	Functions
A	A C# E	root, major third, fifth
A7	A C# E G	root, major third, fifth, minor seventh
Am	A C E	root, minor third, fifth
Amaj7	A C# E G#	root, major third, fifth, major seventh
B	B D# F#	root, major third, fifth
Bm7	B D F# A	root, minor third, fifth, minor seventh
C#m	C# E G#	root, minor third, fifth
Cmaj7	C E G B	root, major third, fifth, major seventh
E	E G# B	root, major third, fifth
E7	E G# B D	root, major third, fifth, minor seventh
Emaj7	E G# B D#	root, major third, fifth, major seventh
F#	F# A# C#	root, major third, fifth
F#7	F# A# C# E	root, major third, fifth, minor seventh
F#maj7	F# A# C# F	root, major third, fifth, major seventh
G#m7	G# B D# F#	root, minor third, fifth, minor seventh

Full chord chart with timings

The same sequence as a table, for reference or printing.

#	Time	Chord	Length
1	0:00	Emaj7	4.8s
2	0:05	F#7	2.1s
3	0:07	Amaj7	6.9s
4	0:13	E	2.9s
5	0:16	F#	2.6s
6	0:19	Amaj7	6.1s
7	0:25	E	2.9s
8	0:28	F#maj7	2.6s
9	0:31	Amaj7	5.8s
10	0:36	C#m	3.1s
11	0:40	B	2.8s
12	0:42	A	2.8s
13	0:45	Emaj7	3.1s
14	0:48	C#m	2.9s
15	0:51	B	2.7s
16	0:54	Am	5.4s
17	0:59	E7	6.1s
18	1:05	Am	5.9s
19	1:11	E7	5.8s
20	1:17	Am	5.8s
21	1:23	E7	5.6s
22	1:29	Amaj7	2.7s
23	1:31	Cmaj7	1.6s
24	1:33	Am	1.1s
25	1:34	E7	5.8s
26	1:40	Amaj7	4.3s
27	1:44	Emaj7	4.3s
28	1:48	F#7	3.3s
29	1:52	Amaj7	7.8s
30	1:59	G#m7	3.7s
31	2:03	Am	5.9s
32	2:09	Bm7	5.8s
33	2:15	A	5.7s
34	2:21	E7	5.8s
35	2:26	Am	5.2s
36	2:32	E7	6.2s
37	2:38	A7	5.8s
38	2:44	E7	5.9s
39	2:50	Amaj7	4.9s
40	2:54	Emaj7	3.6s
41	2:58	F#maj7	2.7s
42	3:01	Amaj7	5.9s
43	3:07	E	—