It's All Coming Back To Me Now - Celine Dion
It's All Coming Back To Me Now - Celine Dion（KaraoKeysPH | Piano Karaoke Instrumentals 卡拉OK）的和弦谱为 D# 调，速度 78 BPM，在 7:18 内共有 15 个不同和弦：A#, A#7, Amaj7, Cm, Cm7, D#, D#maj7, Dm 等。下方的和弦轨道跟随视频推进 —— 高亮的和弦是当前正在响的，下一个会在换和弦之前提前显示，方便你提前准备手型。
调D#
速度
78 BPM
和弦转换次数151
频道KaraoKeysPH | Piano Karaoke Instrumentals
这是分析得出的原始和声，包含七和弦。如果你刚开始学伴奏，简化版只用三和弦：8 个和弦，而不是 15 个。
调
和弦谱已移调，但视频仍是原调。播放器是来自其他域名的 iframe，YouTube 的 API 只开放播放速度，而改速度会同时改变音高和节奏。移调是为了配合演唱者的音域，在不放视频的情况下弹奏；要跟着视频伴奏，请回到原调。
正在演奏
0:00
Amaj7
下一个
D#maj7
调内和弦： D#
| I | ii | iii | IV | V | vi | vii° |
|---|---|---|---|---|---|---|
| D# | Fm | Gm | G# | A# | Cm | D° |
和弦轨道
点击任意和弦，视频会跳到该处。
这首歌的全部和弦
下方网格列出每个不同和弦的指法图，便于练习或打印。当前正在响的和弦显示在上方读取器旁边。
调
和弦谱已移调，但视频仍是原调。播放器是来自其他域名的 iframe，YouTube 的 API 只开放播放速度，而改速度会同时改变音高和节奏。移调是为了配合演唱者的音域，在不放视频的情况下弹奏；要跟着视频伴奏，请回到原调。
每个和弦的组成音
适合单音乐器 —— 萨克斯、小号、长笛、小提琴：它们不弹和弦，而是演奏和弦里的音。
| 和弦 | 组成音 | 功能 |
|---|---|---|
| A# | A# D F | 根音, 大三度, 纯五度 |
| A#7 | A# D F G# | 根音, 大三度, 纯五度, 小七度 |
| Amaj7 | A C# E G# | 根音, 大三度, 纯五度, 大七度 |
| Cm | C D# G | 根音, 小三度, 纯五度 |
| Cm7 | C D# G A# | 根音, 小三度, 纯五度, 小七度 |
| D# | D# G A# | 根音, 大三度, 纯五度 |
| D#maj7 | D# G A# D | 根音, 大三度, 纯五度, 大七度 |
| Dm | D F A | 根音, 小三度, 纯五度 |
| Fm | F G# C | 根音, 小三度, 纯五度 |
| Fm7 | F G# C D# | 根音, 小三度, 纯五度, 小七度 |
| G | G B D | 根音, 大三度, 纯五度 |
| G# | G# C D# | 根音, 大三度, 纯五度 |
| G#maj7 | G# C D# G | 根音, 大三度, 纯五度, 大七度 |
| Gm | G A# D | 根音, 小三度, 纯五度 |
| Gm7 | G A# D F | 根音, 小三度, 纯五度, 小七度 |
带时间标记的完整和弦谱
同一段序列的表格形式，便于查阅或打印。
| # | 时间 | 和弦 | 时长 |
|---|---|---|---|
| 1 | 0:00 | Amaj7 | 6.1s |
| 2 | 0:06 | D#maj7 | 6.9s |
| 3 | 0:13 | Cm7 | 3.1s |
| 4 | 0:16 | A# | 3.1s |
| 5 | 0:19 | D#maj7 | 6.2s |
| 6 | 0:26 | Cm7 | 6.5s |
| 7 | 0:32 | A# | 3.1s |
| 8 | 0:35 | D# | 3.1s |
| 9 | 0:38 | G# | 3.1s |
| 10 | 0:41 | Fm | 1.5s |
| 11 | 0:43 | Gm7 | 1.6s |
| 12 | 0:44 | Cm | 1.5s |
| 13 | 0:46 | Fm | 1.5s |
| 14 | 0:48 | G# | 1.5s |
| 15 | 0:49 | A# | 3.1s |
| 16 | 0:52 | D# | 3.1s |
| 17 | 0:55 | G# | 2.3s |
| 18 | 0:58 | Fm7 | 1.5s |
| 19 | 0:59 | Gm | 2.3s |
| 20 | 1:01 | Cm7 | 1.5s |
| 21 | 1:03 | Fm | 1.5s |
| 22 | 1:04 | G#maj7 | 1.5s |
| 23 | 1:06 | A# | 3.1s |
| 24 | 1:09 | Gm | 1.5s |
| 25 | 1:11 | Cm | 2.3s |
| 26 | 1:13 | D# | 2.3s |
| 27 | 1:15 | Gm | 1.5s |
| 28 | 1:17 | Cm | 1.5s |
| 29 | 1:18 | G# | 1.5s |
| 30 | 1:20 | A# | 1.5s |
| 31 | 1:21 | Gm | 1.5s |
| 32 | 1:23 | Cm | 1.5s |
| 33 | 1:24 | G# | 4.6s |
| 34 | 1:29 | A# | 3.1s |
| 35 | 1:32 | D#maj7 | 5.9s |
| 36 | 1:38 | Cm7 | 1.3s |
| 37 | 1:39 | Fm | 1.5s |
| 38 | 1:41 | G# | 1.5s |
| 39 | 1:43 | A# | 1.5s |
| 40 | 1:44 | D#maj7 | 6.9s |
| 41 | 1:51 | Fm7 | 4.2s |
| 42 | 1:55 | A#7 | 1.6s |
| 43 | 1:57 | D# | 3.1s |
| 44 | 2:00 | G#maj7 | 15.4s |
| 45 | 2:15 | Cm | 4.6s |
| 46 | 2:20 | G# | 1.5s |
| 47 | 2:21 | Fm | 3.1s |
| 48 | 2:24 | A#7 | 3.1s |
| 49 | 2:28 | D# | 3.1s |
| 50 | 2:31 | Dm | 3.1s |
| 51 | 2:34 | Fm7 | 3.8s |
| 52 | 2:38 | A# | 2.3s |
| 53 | 2:40 | D# | 3.1s |
| 54 | 2:43 | Dm | 2.9s |
| 55 | 2:46 | Cm | 1.3s |
| 56 | 2:47 | Fm7 | 3.1s |
| 57 | 2:50 | A# | 1.5s |
| 58 | 2:52 | Cm7 | 1.6s |
| 59 | 2:53 | Fm | 1.5s |
| 60 | 2:55 | G# | 1.5s |
| 61 | 2:56 | A# | 1.5s |
| 62 | 2:58 | Cm7 | 1.5s |
| 63 | 2:59 | Fm | 1.5s |
| 64 | 3:01 | G# | 1.4s |
| 65 | 3:02 | A# | 2.0s |
| 66 | 3:04 | Cm | 3.1s |
| 67 | 3:08 | A# | 3.1s |
| 68 | 3:11 | G# | 3.1s |
| 69 | 3:14 | Fm | 6.2s |
| 70 | 3:20 | D# | 2.3s |
| 71 | 3:22 | G# | 3.8s |
| 72 | 3:26 | Fm | 1.6s |
| 73 | 3:28 | Gm | 1.5s |
| 74 | 3:29 | Cm | 1.5s |
| 75 | 3:31 | Fm | 1.5s |
| 76 | 3:32 | G# | 1.6s |
| 77 | 3:34 | A# | 3.1s |
| 78 | 3:37 | D# | 2.3s |
| 79 | 3:39 | G# | 3.8s |
| 80 | 3:43 | Fm | 1.5s |
| 81 | 3:44 | Gm | 1.6s |
| 82 | 3:46 | Cm | 1.5s |
| 83 | 3:48 | Fm | 1.5s |
| 84 | 3:49 | G# | 1.6s |
| 85 | 3:51 | A# | 3.1s |
| 86 | 3:54 | Gm | 1.5s |
| 87 | 3:55 | Cm | 2.3s |
| 88 | 3:58 | D# | 2.3s |
| 89 | 4:00 | Gm | 1.5s |
| 90 | 4:01 | Cm | 1.5s |
| 91 | 4:03 | G# | 1.5s |
| 92 | 4:04 | A# | 1.5s |
| 93 | 4:06 | G | 1.5s |
| 94 | 4:08 | Cm | 1.6s |
| 95 | 4:09 | G# | 4.6s |
| 96 | 4:14 | A# | 2.9s |
| 97 | 4:17 | D#maj7 | 6.0s |
| 98 | 4:23 | Fm7 | 6.1s |
| 99 | 4:29 | D#maj7 | 6.1s |
| 100 | 4:35 | Cm7 | 1.6s |
| 101 | 4:36 | Fm7 | 2.8s |
| 102 | 4:39 | A#7 | 2.2s |
| 103 | 4:41 | D# | 3.1s |
| 104 | 4:44 | G#maj7 | 14.6s |
| 105 | 4:59 | Cm | 5.4s |
| 106 | 5:04 | G# | 1.5s |
| 107 | 5:06 | Fm | 3.1s |
| 108 | 5:09 | A#7 | 3.1s |
| 109 | 5:12 | D# | 3.1s |
| 110 | 5:15 | Dm | 3.1s |
| 111 | 5:18 | Fm7 | 3.8s |
| 112 | 5:22 | A# | 2.3s |
| 113 | 5:24 | D#maj7 | 3.1s |
| 114 | 5:28 | Dm | 3.1s |
| 115 | 5:31 | Cm7 | 1.3s |
| 116 | 5:32 | Fm7 | 2.9s |
| 117 | 5:35 | A# | 1.6s |
| 118 | 5:36 | Cm7 | 1.5s |
| 119 | 5:38 | Fm | 1.5s |
| 120 | 5:39 | G# | 1.6s |
| 121 | 5:41 | A# | 1.5s |
| 122 | 5:43 | Cm7 | 1.5s |
| 123 | 5:44 | Fm | 1.5s |
| 124 | 5:46 | G# | 1.4s |
| 125 | 5:47 | A# | 2.1s |
| 126 | 5:49 | G# | 3.1s |
| 127 | 5:52 | D# | 3.1s |
| 128 | 5:55 | G# | 3.1s |
| 129 | 5:58 | D# | 3.1s |
| 130 | 6:01 | G# | 3.1s |
| 131 | 6:04 | Fm7 | 3.1s |
| 132 | 6:08 | G# | 3.1s |
| 133 | 6:11 | A# | 9.6s |
| 134 | 6:20 | D#maj7 | 5.8s |
| 135 | 6:26 | Cm | 1.5s |
| 136 | 6:28 | Fm7 | 3.1s |
| 137 | 6:31 | D#maj7 | 8.5s |
| 138 | 6:39 | Fm | 3.1s |
| 139 | 6:42 | A# | 2.3s |
| 140 | 6:44 | Fm7 | 4.6s |
| 141 | 6:49 | A# | 1.6s |
| 142 | 6:51 | Fm7 | 4.6s |
| 143 | 6:55 | A# | 1.5s |
| 144 | 6:57 | D# | 3.1s |
| 145 | 7:00 | G#maj7 | 3.1s |
| 146 | 7:03 | D# | 3.1s |
| 147 | 7:06 | G#maj7 | 3.1s |
| 148 | 7:09 | D# | 3.1s |
| 149 | 7:12 | G#maj7 | 3.1s |
| 150 | 7:15 | D# | 3.1s |
| 151 | 7:18 | Cm7 | — |
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署名
KaraoKeysPH | Piano Karaoke Instrumentals · It's All Coming Back To Me Now - Celine Dion · https://youtu.be/xPApRKxn8pU