Eu Gosto Assim Gustavo Mioto, Mari Fernandes

The chord chart for Eu Gosto Assim Gustavo Mioto, Mari Fernandes (karaoke of Karaokê Melhor Do Brasil) is in Dm, at 152 BPM, with 13 distinct chords over 2:24: A#maj7, C#m7, C#maj7, Cmaj7, D#m7, Dm, Dm7, Dmaj7 and others. The track below follows the video — the highlighted chord is the one sounding now, and the next one appears before the change so you can get your hand ready.

KeyDm

Tempo 152 BPM

Chord changes47

ChannelKaraokê Melhor Do Brasil

This is the harmony as the analysis found it, sevenths and all. If you are just starting to play along, the simplified version uses triads only: 8 chords instead of 13.

Now playing 0:00

Next Gm

Diatonic chords of F

Degrees of the key
I	ii	iii	IV	V	vi	vii°
F	Gm	Am	A#	C	Dm	E°

Chord track

Click any chord to jump the video to that point.

Notes that make up each chord

Useful for one-note-at-a-time instruments — sax, trumpet, flute, violin: they do not play the chord, they play its notes.

Chord	Notes	Functions
A#maj7	A# D F A	root, major third, fifth, major seventh
C#m7	C# E G# B	root, minor third, fifth, minor seventh
C#maj7	C# F G# C	root, major third, fifth, major seventh
Cmaj7	C E G B	root, major third, fifth, major seventh
D#m7	D# F# A# C#	root, minor third, fifth, minor seventh
Dm	D F A	root, minor third, fifth
Dm7	D F A C	root, minor third, fifth, minor seventh
Dmaj7	D F# A C#	root, major third, fifth, major seventh
F	F A C	root, major third, fifth
Fmaj7	F A C E	root, major third, fifth, major seventh
Gm	G A# D	root, minor third, fifth
Gm7	G A# D F	root, minor third, fifth, minor seventh
Gmaj7	G B D F#	root, major third, fifth, major seventh

Full chord chart with timings

The same sequence as a table, for reference or printing.

#	Time	Chord	Length
1	0:02	Dm	5.9s
2	0:08	Gm	3.1s
3	0:11	Dm	1.6s
4	0:13	F	1.6s
5	0:14	Gm	2.7s
6	0:17	Dm7	3.5s
7	0:20	Gm	3.1s
8	0:23	A#maj7	2.3s
9	0:26	Gm7	3.9s
10	0:30	Dm7	3.1s
11	0:33	Gm7	4.3s
12	0:37	Dm7	1.6s
13	0:39	Gm7	2.7s
14	0:41	Cmaj7	2.0s
15	0:43	Dm7	3.5s
16	0:47	Gmaj7	1.6s
17	0:48	Dm7	2.7s
18	0:51	Fmaj7	2.7s
19	0:54	A#maj7	3.5s
20	0:57	Fmaj7	2.0s
21	0:59	Gm7	7.8s
22	1:07	C#maj7	1.2s
23	1:08	Fmaj7	3.5s
24	1:12	Gm7	3.5s
25	1:15	Fmaj7	3.5s
26	1:19	A#maj7	3.1s
27	1:22	F	3.1s
28	1:25	A#maj7	3.1s
29	1:28	Dm7	2.0s
30	1:30	Gm7	2.7s
31	1:33	Cmaj7	2.3s
32	1:35	Dm7	3.1s
33	1:38	Gmaj7	1.6s
34	1:40	Dmaj7	2.7s
35	1:43	Fmaj7	2.0s
36	1:44	Gm7	1.5s
37	1:46	A#maj7	2.7s
38	1:49	Fmaj7	1.6s
39	1:50	Gm7	1.5s
40	1:52	A#maj7	3.1s
41	1:55	Fmaj7	1.5s
42	1:57	Gm7	9.8s
43	2:06	Dmaj7	10.1s
44	2:16	Gmaj7	2.0s
45	2:18	Dmaj7	4.4s
46	2:23	D#m7	1.2s
47	2:24	C#m7	—