Total Eclipse of The Heart (Turn Around) - Bonnie Tyler (Cover) (Acústico)
Total Eclipse of The Heart (Turn Around) - Bonnie Tyler (Cover) (Acústico)（Muramatsu Karaoke 卡拉OK）的和弦谱为 G# 调，速度 129 BPM，在 6:37 内共有 19 个不同和弦：A, A#, A#m, A#m7, A#maj7, B, C, C# 等。下方的和弦轨道跟随视频推进 —— 高亮的和弦是当前正在响的，下一个会在换和弦之前提前显示，方便你提前准备手型。
这是分析得出的原始和声，包含七和弦。如果你刚开始学伴奏，简化版只用三和弦：13 个和弦，而不是 19 个。
和弦谱已移调，但视频仍是原调。播放器是来自其他域名的 iframe，YouTube 的 API 只开放播放速度，而改速度会同时改变音高和节奏。移调是为了配合演唱者的音域，在不放视频的情况下弹奏；要跟着视频伴奏，请回到原调。
| I | ii | iii | IV | V | vi | vii° |
|---|---|---|---|---|---|---|
| G# | A#m | Cm | C# | D# | Fm | G° |
和弦轨道
点击任意和弦，视频会跳到该处。
这首歌的全部和弦
下方网格列出每个不同和弦的指法图，便于练习或打印。当前正在响的和弦显示在上方读取器旁边。
和弦谱已移调，但视频仍是原调。播放器是来自其他域名的 iframe，YouTube 的 API 只开放播放速度，而改速度会同时改变音高和节奏。移调是为了配合演唱者的音域，在不放视频的情况下弹奏；要跟着视频伴奏，请回到原调。
每个和弦的组成音
适合单音乐器 —— 萨克斯、小号、长笛、小提琴：它们不弹和弦，而是演奏和弦里的音。
| 和弦 | 组成音 | 功能 |
|---|---|---|
| A | A C# E | 根音, 大三度, 纯五度 |
| A# | A# D F | 根音, 大三度, 纯五度 |
| A#m | A# C# F | 根音, 小三度, 纯五度 |
| A#m7 | A# C# F G# | 根音, 小三度, 纯五度, 小七度 |
| A#maj7 | A# D F A | 根音, 大三度, 纯五度, 大七度 |
| B | B D# F# | 根音, 大三度, 纯五度 |
| C | C E G | 根音, 大三度, 纯五度 |
| C# | C# F G# | 根音, 大三度, 纯五度 |
| C#m | C# E G# | 根音, 小三度, 纯五度 |
| C#maj7 | C# F G# C | 根音, 大三度, 纯五度, 大七度 |
| Cm | C D# G | 根音, 小三度, 纯五度 |
| Cm7 | C D# G A# | 根音, 小三度, 纯五度, 小七度 |
| D# | D# G A# | 根音, 大三度, 纯五度 |
| D#7 | D# G A# C# | 根音, 大三度, 纯五度, 小七度 |
| E | E G# B | 根音, 大三度, 纯五度 |
| Fm | F G# C | 根音, 小三度, 纯五度 |
| Fm7 | F G# C D# | 根音, 小三度, 纯五度, 小七度 |
| G# | G# C D# | 根音, 大三度, 纯五度 |
| Gm | G A# D | 根音, 小三度, 纯五度 |
带时间标记的完整和弦谱
同一段序列的表格形式，便于查阅或打印。
| # | 时间 | 和弦 | 时长 |
|---|---|---|---|
| 1 | 0:00 | Cm | 5.1s |
| 2 | 0:05 | A#m | 19.2s |
| 3 | 0:24 | G# | 3.7s |
| 4 | 0:28 | A#m | 3.8s |
| 5 | 0:32 | G# | 3.8s |
| 6 | 0:35 | C# | 3.7s |
| 7 | 0:39 | B | 3.8s |
| 8 | 0:43 | C# | 3.8s |
| 9 | 0:47 | B | 3.7s |
| 10 | 0:50 | E | 2.4s |
| 11 | 0:53 | A | 3.2s |
| 12 | 0:56 | E | 1.9s |
| 13 | 0:58 | A | 3.7s |
| 14 | 1:02 | A#m | 3.7s |
| 15 | 1:05 | G# | 3.7s |
| 16 | 1:09 | A#m | 3.7s |
| 17 | 1:13 | G# | 3.7s |
| 18 | 1:16 | C# | 3.7s |
| 19 | 1:20 | B | 3.7s |
| 20 | 1:24 | C# | 3.6s |
| 21 | 1:28 | B | 3.6s |
| 22 | 1:31 | E | 1.8s |
| 23 | 1:33 | A | 3.7s |
| 24 | 1:37 | E | 2.3s |
| 25 | 1:39 | A | 3.2s |
| 26 | 1:42 | G# | 1.8s |
| 27 | 1:44 | Fm | 1.8s |
| 28 | 1:46 | C# | 1.9s |
| 29 | 1:48 | D# | 1.9s |
| 30 | 1:50 | G# | 1.8s |
| 31 | 1:51 | Fm | 1.8s |
| 32 | 1:53 | C# | 1.8s |
| 33 | 1:55 | D#7 | 1.8s |
| 34 | 1:57 | G# | 1.8s |
| 35 | 1:59 | Fm | 1.4s |
| 36 | 2:00 | C# | 2.2s |
| 37 | 2:02 | D#7 | 1.8s |
| 38 | 2:04 | Fm | 1.8s |
| 39 | 2:06 | D# | 1.8s |
| 40 | 2:08 | Fm | 1.8s |
| 41 | 2:10 | A# | 3.6s |
| 42 | 2:13 | G# | 1.8s |
| 43 | 2:15 | Gm | 1.8s |
| 44 | 2:17 | Fm | 1.9s |
| 45 | 2:19 | A#maj7 | 3.5s |
| 46 | 2:22 | Cm7 | 3.6s |
| 47 | 2:26 | C#maj7 | 1.8s |
| 48 | 2:28 | D#7 | 1.8s |
| 49 | 2:29 | G# | 1.8s |
| 50 | 2:31 | Fm7 | 1.8s |
| 51 | 2:33 | C | 1.8s |
| 52 | 2:35 | C#maj7 | 3.7s |
| 53 | 2:38 | A#m7 | 1.8s |
| 54 | 2:40 | D#7 | 1.8s |
| 55 | 2:42 | G# | 1.8s |
| 56 | 2:44 | Fm7 | 1.8s |
| 57 | 2:46 | C# | 1.8s |
| 58 | 2:48 | D#7 | 1.9s |
| 59 | 2:50 | G# | 1.9s |
| 60 | 2:51 | Fm7 | 1.9s |
| 61 | 2:53 | C | 1.9s |
| 62 | 2:55 | C#maj7 | 1.8s |
| 63 | 2:57 | A#m7 | 1.9s |
| 64 | 2:59 | D#7 | 1.9s |
| 65 | 3:01 | G# | 1.9s |
| 66 | 3:03 | Fm | 1.3s |
| 67 | 3:04 | C# | 2.3s |
| 68 | 3:06 | D# | 1.9s |
| 69 | 3:08 | G# | 3.7s |
| 70 | 3:12 | E | 1.8s |
| 71 | 3:14 | A | 3.6s |
| 72 | 3:17 | E | 2.3s |
| 73 | 3:20 | A | 3.0s |
| 74 | 3:23 | A#m | 3.7s |
| 75 | 3:26 | G# | 3.6s |
| 76 | 3:30 | A#m7 | 3.6s |
| 77 | 3:34 | G# | 3.6s |
| 78 | 3:37 | C# | 3.6s |
| 79 | 3:41 | B | 3.6s |
| 80 | 3:44 | C# | 3.7s |
| 81 | 3:48 | B | 3.5s |
| 82 | 3:52 | E | 1.8s |
| 83 | 3:53 | A | 3.6s |
| 84 | 3:57 | E | 1.8s |
| 85 | 3:59 | A | 3.6s |
| 86 | 4:02 | G# | 1.8s |
| 87 | 4:04 | Fm | 1.8s |
| 88 | 4:06 | C# | 1.8s |
| 89 | 4:08 | D# | 1.8s |
| 90 | 4:10 | G# | 1.8s |
| 91 | 4:11 | Fm | 1.8s |
| 92 | 4:13 | C# | 1.8s |
| 93 | 4:15 | D#7 | 1.8s |
| 94 | 4:17 | G# | 1.9s |
| 95 | 4:19 | Fm | 1.5s |
| 96 | 4:20 | C# | 1.9s |
| 97 | 4:22 | D# | 1.8s |
| 98 | 4:24 | Fm | 1.7s |
| 99 | 4:26 | Gm | 1.8s |
| 100 | 4:27 | Fm | 1.8s |
| 101 | 4:29 | A# | 3.5s |
| 102 | 4:33 | G# | 1.7s |
| 103 | 4:34 | Gm | 1.7s |
| 104 | 4:36 | Fm | 1.8s |
| 105 | 4:38 | A#maj7 | 5.3s |
| 106 | 4:43 | Cm7 | 3.5s |
| 107 | 4:47 | C#maj7 | 1.8s |
| 108 | 4:48 | D#7 | 1.8s |
| 109 | 4:50 | G# | 1.8s |
| 110 | 4:52 | Fm7 | 1.8s |
| 111 | 4:54 | C | 1.9s |
| 112 | 4:56 | C#maj7 | 3.6s |
| 113 | 4:59 | A#m7 | 1.9s |
| 114 | 5:01 | D# | 1.9s |
| 115 | 5:03 | G# | 1.8s |
| 116 | 5:05 | Fm7 | 1.4s |
| 117 | 5:06 | C# | 2.3s |
| 118 | 5:09 | D#7 | 1.9s |
| 119 | 5:11 | G# | 1.9s |
| 120 | 5:12 | Fm7 | 1.9s |
| 121 | 5:14 | C | 1.9s |
| 122 | 5:16 | C#maj7 | 1.9s |
| 123 | 5:18 | A#m7 | 1.9s |
| 124 | 5:20 | D#7 | 1.9s |
| 125 | 5:22 | G# | 1.9s |
| 126 | 5:24 | Fm7 | 1.4s |
| 127 | 5:25 | C# | 2.4s |
| 128 | 5:28 | D#7 | 1.9s |
| 129 | 5:29 | G# | 1.8s |
| 130 | 5:31 | Fm7 | 1.4s |
| 131 | 5:33 | C# | 2.3s |
| 132 | 5:35 | D#7 | 1.8s |
| 133 | 5:37 | G# | 1.8s |
| 134 | 5:39 | Fm7 | 1.4s |
| 135 | 5:40 | C# | 2.3s |
| 136 | 5:42 | D#7 | 1.8s |
| 137 | 5:44 | G# | 1.8s |
| 138 | 5:46 | Fm | 1.3s |
| 139 | 5:47 | C# | 2.3s |
| 140 | 5:49 | D#7 | 1.8s |
| 141 | 5:51 | G# | 1.8s |
| 142 | 5:53 | Fm7 | 1.4s |
| 143 | 5:54 | C# | 2.2s |
| 144 | 5:57 | D#7 | 1.4s |
| 145 | 5:58 | G# | 2.0s |
| 146 | 6:00 | Fm | 1.9s |
| 147 | 6:02 | C#maj7 | 1.9s |
| 148 | 6:04 | D# | 1.9s |
| 149 | 6:06 | G# | 1.9s |
| 150 | 6:07 | Fm | 1.8s |
| 151 | 6:09 | C#maj7 | 1.9s |
| 152 | 6:11 | D# | 1.9s |
| 153 | 6:13 | G# | 1.7s |
| 154 | 6:15 | Fm | 1.8s |
| 155 | 6:17 | C#maj7 | 1.9s |
| 156 | 6:19 | D# | 2.0s |
| 157 | 6:20 | G# | 7.4s |
| 158 | 6:28 | Fm7 | 2.3s |
| 159 | 6:30 | C#m | 3.6s |
| 160 | 6:34 | B | 2.8s |
| 161 | 6:37 | A | — |
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Muramatsu Karaoke - High Quality Backing Tracks · Total Eclipse of The Heart (Turn Around) - Bonnie Tyler (Cover) (Acústico) · https://youtu.be/sxxjLuFJFKg