GREATEST LOVE OF ALL - MALE KEY - FULL BAND KARAOKE - INSTRUMENTAL - WHITNEY HOUSTON
GREATEST LOVE OF ALL - MALE KEY - FULL BAND KARAOKE - INSTRUMENTAL - WHITNEY HOUSTON(KB Arrangements Ph 卡拉OK)的和弦谱为 D 调,速度 60 BPM,在 5:01 内共有 18 个不同和弦:A, A7, Am, Am7, Amaj7, B, B7, Bm 等。下方的和弦轨道跟随视频推进 —— 高亮的和弦是当前正在响的,下一个会在换和弦之前提前显示,方便你提前准备手型。
这是分析得出的原始和声,包含七和弦。如果你刚开始学伴奏,简化版只用三和弦:8 个和弦,而不是 18 个。
和弦谱已移调,但视频仍是原调。播放器是来自其他域名的 iframe,YouTube 的 API 只开放播放速度,而改速度会同时改变音高和节奏。移调是为了配合演唱者的音域,在不放视频的情况下弹奏;要跟着视频伴奏,请回到原调。
| I | ii | iii | IV | V | vi | vii° |
|---|---|---|---|---|---|---|
| D | Em | F#m | G | A | Bm | C#° |
和弦轨道
点击任意和弦,视频会跳到该处。
这首歌的全部和弦
下方网格列出每个不同和弦的指法图,便于练习或打印。当前正在响的和弦显示在上方读取器旁边。
和弦谱已移调,但视频仍是原调。播放器是来自其他域名的 iframe,YouTube 的 API 只开放播放速度,而改速度会同时改变音高和节奏。移调是为了配合演唱者的音域,在不放视频的情况下弹奏;要跟着视频伴奏,请回到原调。
每个和弦的组成音
适合单音乐器 —— 萨克斯、小号、长笛、小提琴:它们不弹和弦,而是演奏和弦里的音。
| 和弦 | 组成音 | 功能 |
|---|---|---|
| A | A C# E | 根音, 大三度, 纯五度 |
| A7 | A C# E G | 根音, 大三度, 纯五度, 小七度 |
| Am | A C E | 根音, 小三度, 纯五度 |
| Am7 | A C E G | 根音, 小三度, 纯五度, 小七度 |
| Amaj7 | A C# E G# | 根音, 大三度, 纯五度, 大七度 |
| B | B D# F# | 根音, 大三度, 纯五度 |
| B7 | B D# F# A | 根音, 大三度, 纯五度, 小七度 |
| Bm | B D F# | 根音, 小三度, 纯五度 |
| C | C E G | 根音, 大三度, 纯五度 |
| D | D F# A | 根音, 大三度, 纯五度 |
| D7 | D F# A C | 根音, 大三度, 纯五度, 小七度 |
| Dmaj7 | D F# A C# | 根音, 大三度, 纯五度, 大七度 |
| Em | E G B | 根音, 小三度, 纯五度 |
| Em7 | E G B D | 根音, 小三度, 纯五度, 小七度 |
| F#m | F# A C# | 根音, 小三度, 纯五度 |
| F#m7 | F# A C# E | 根音, 小三度, 纯五度, 小七度 |
| G | G B D | 根音, 大三度, 纯五度 |
| Gmaj7 | G B D F# | 根音, 大三度, 纯五度, 大七度 |
带时间标记的完整和弦谱
同一段序列的表格形式,便于查阅或打印。
| # | 时间 | 和弦 | 时长 |
|---|---|---|---|
| 1 | 0:00 | Dmaj7 | 6.0s |
| 2 | 0:06 | Bm | 2.0s |
| 3 | 0:08 | Em | 1.9s |
| 4 | 0:10 | A7 | 2.0s |
| 5 | 0:12 | F#m | 2.0s |
| 6 | 0:14 | Bm | 2.0s |
| 7 | 0:16 | Em7 | 2.0s |
| 8 | 0:18 | D | 8.9s |
| 9 | 0:27 | Gmaj7 | 14.8s |
| 10 | 0:41 | A7 | 1.9s |
| 11 | 0:43 | F#m7 | 1.9s |
| 12 | 0:45 | Bm | 2.3s |
| 13 | 0:47 | Em7 | 2.0s |
| 14 | 0:49 | D | 9.9s |
| 15 | 0:59 | G | 7.9s |
| 16 | 1:07 | F#m | 2.0s |
| 17 | 1:09 | B | 2.0s |
| 18 | 1:11 | Em | 2.0s |
| 19 | 1:13 | A | 2.0s |
| 20 | 1:15 | G | 2.0s |
| 21 | 1:17 | F#m | 2.0s |
| 22 | 1:19 | Em | 2.0s |
| 23 | 1:21 | A | 2.0s |
| 24 | 1:23 | G | 2.0s |
| 25 | 1:25 | F#m | 2.0s |
| 26 | 1:27 | Em7 | 6.0s |
| 27 | 1:33 | F#m | 2.0s |
| 28 | 1:35 | Em | 2.0s |
| 29 | 1:37 | A7 | 4.0s |
| 30 | 1:41 | F#m | 2.0s |
| 31 | 1:43 | B | 2.0s |
| 32 | 1:45 | Em7 | 4.0s |
| 33 | 1:49 | F#m | 2.0s |
| 34 | 1:51 | Bm | 2.0s |
| 35 | 1:53 | Em | 2.0s |
| 36 | 1:55 | A7 | 2.0s |
| 37 | 1:57 | F#m | 2.0s |
| 38 | 1:59 | B7 | 2.0s |
| 39 | 2:01 | Em | 2.0s |
| 40 | 2:03 | A7 | 2.0s |
| 41 | 2:05 | D7 | 4.0s |
| 42 | 2:09 | B | 2.0s |
| 43 | 2:11 | Em | 2.0s |
| 44 | 2:13 | Am7 | 3.9s |
| 45 | 2:17 | B | 2.0s |
| 46 | 2:19 | Em7 | 2.0s |
| 47 | 2:21 | D7 | 4.0s |
| 48 | 2:25 | B | 2.0s |
| 49 | 2:27 | Em | 2.0s |
| 50 | 2:28 | Am7 | 2.0s |
| 51 | 2:30 | D | 2.0s |
| 52 | 2:32 | G | 3.0s |
| 53 | 2:35 | D | 8.9s |
| 54 | 2:44 | G | 7.9s |
| 55 | 2:52 | F#m | 2.0s |
| 56 | 2:54 | B | 2.0s |
| 57 | 2:56 | Em7 | 4.0s |
| 58 | 3:00 | F#m | 2.0s |
| 59 | 3:02 | B | 2.0s |
| 60 | 3:04 | Em | 2.0s |
| 61 | 3:06 | A7 | 2.0s |
| 62 | 3:08 | G | 2.0s |
| 63 | 3:10 | F#m7 | 2.0s |
| 64 | 3:12 | Em7 | 2.0s |
| 65 | 3:14 | Amaj7 | 2.0s |
| 66 | 3:16 | Gmaj7 | 2.0s |
| 67 | 3:18 | F#m7 | 2.0s |
| 68 | 3:20 | Em | 2.0s |
| 69 | 3:22 | A | 2.0s |
| 70 | 3:24 | G | 2.0s |
| 71 | 3:26 | F#m | 2.0s |
| 72 | 3:28 | Em | 2.0s |
| 73 | 3:30 | A7 | 4.1s |
| 74 | 3:34 | F#m | 2.0s |
| 75 | 3:36 | Bm | 2.0s |
| 76 | 3:38 | Em7 | 3.9s |
| 77 | 3:42 | F#m | 2.0s |
| 78 | 3:44 | B | 2.0s |
| 79 | 3:46 | Em7 | 4.0s |
| 80 | 3:50 | F#m | 2.0s |
| 81 | 3:52 | B | 2.0s |
| 82 | 3:54 | Em | 2.0s |
| 83 | 3:56 | D | 5.0s |
| 84 | 4:01 | C | 1.0s |
| 85 | 4:02 | Bm | 2.0s |
| 86 | 4:04 | Em7 | 2.0s |
| 87 | 4:06 | Am7 | 4.0s |
| 88 | 4:10 | B | 2.0s |
| 89 | 4:12 | Em | 2.0s |
| 90 | 4:14 | Am7 | 4.0s |
| 91 | 4:18 | B | 2.0s |
| 92 | 4:20 | Em7 | 2.0s |
| 93 | 4:22 | Am | 2.0s |
| 94 | 4:24 | D | 2.0s |
| 95 | 4:26 | G | 3.9s |
| 96 | 4:30 | F#m | 2.0s |
| 97 | 4:32 | B | 2.0s |
| 98 | 4:34 | Em | 2.0s |
| 99 | 4:36 | A7 | 2.0s |
| 100 | 4:38 | F#m | 2.0s |
| 101 | 4:40 | B | 2.0s |
| 102 | 4:42 | Em7 | 4.0s |
| 103 | 4:45 | F#m | 2.0s |
| 104 | 4:47 | B | 2.0s |
| 105 | 4:49 | Em | 2.0s |
| 106 | 4:51 | A | 2.0s |
| 107 | 4:53 | G | 2.0s |
| 108 | 4:55 | F#m | 2.0s |
| 109 | 4:57 | Em | 2.0s |
| 110 | 4:59 | A | 2.0s |
| 111 | 5:01 | D | — |
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署名
KB Arrangements Ph · GREATEST LOVE OF ALL - MALE KEY - FULL BAND KARAOKE - INSTRUMENTAL - WHITNEY HOUSTON · https://youtu.be/2r3Zk8yjfWM